The Sasanian Restary Relief in Balam II in Tan E Chogan, Tan E Chogan, in Tan E Chogan, Tan E Chogan, said on Saturday.
Mohammad Sabet-Eqlidi stated that it was a kind of flies, following the collapse of some relief known as PASHE PARAN. “And the initiatives of documentation and restoration have begun quickly.”
EQLIDI explained that the damaged part of the rescue, which had been accidentally called Mace as Mace in the media report, was originally destroyed by an individual seeking treasure in 2011. The cheap relief has been fragmented into a large number of small and large parts.
“The first effort was made by the Persepolisstone restoration expert at the time, but due to the natural factors, the section collapsed again and needed to be restored.”
The recent restoration projects pointed out that the latest conservation technology and new materials were used to clean, re -assemble, and recover rescue.
The bass relief is adjacent to this kind of other kind, which is considered to be in the most valuable sculptures of the Sassa Need era, depicting more important scenes, such as the victory of Iranian monarchs than the Roman Emperor I am doing it. This site contains six rescue, two on the right side of the entrance and four on the left. These three of these reliefs show the victory of Shapur I against the Roman Emperor.
EQLIDI is also a symbolic rescue of the site, such as the victory of the Sassania king to the rebels and the enemy, the award of the rings of God’s power by Afla Mazda, and the conquest of Afuriman under gallopping horses. He said he was drawing a scene.
The newly restored relief indicates how the king receives the Arab representative. This cheap relief is very interesting. Because it is the only Sasanian monument indicating the embassy. The messenger is taken to the king by a long sword by a Persian nobleman.
Baram II, the fifth Sasania king of Iran, was the son and successor of Baram I (R.271–274). The Sassa Need era is very important in Iranian history. Under Sassanide, Persian art and architecture experienced general Renaissance. Architecture often has frequently proportioned to one of the highlights of the ensemble, CTESIPHON, Firuzabad, and Sarven’s palace.
In 2018, the ensemble, a historic city of Sassania in southern Iran, was entitled “Foods Sassanide Archeological Landscape” and was named UNESCO’s site. The ensemble consists of eight archeological sites located in three geographical parts: Firuzabad, Bishapur, and Sarvestan. The World Heritage reflects the optimized use of natural terrain, witnessing the effects of the cultural traditions of Achemenid and Partia and Rome’s art.
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