TEHRAN – The ceremony was held at the Art Bureau in Tehran on Sunday, revealing the poetry book, “Sacred Dahieh.”
The compilation salutes the brave commander of resistance, and saided Hassan Nasrara, emphasizing the culture of resistance.
Characterized by contributions from 110 prominent contemporary Iranian poets, the book reflects a variety of poems that lament this prominent figure on the front of resistance.
Speaking at the ceremony, poet Mahmoud Habibi Kasbi said: We collected 500 poems and eventually narrowed down from 110 poets to 118 poets after several stages. The collection consists of poems composed up to the 40th day of Hassan Nasrara’s martialism. ”
“The book’s preface highlights that half of the battle occurs on the field and the other half occurs in the space of the story, highlighting the importance of storytelling,” he said.
On his part, the poet Ahmad Babai described the quality and quantity of poems collected in the short period of the book “The Sacred Dahie,” saying, “in a time when poetry procurement and contacting individuals, we set a minimum threshold. In fact, this minimum requirement is also the maximum value of the focus of quality, and this collection contains poetry of exceptional calibers.”
Babay cited Michelangelo as an example of the artist’s rapid response to current events. He told the story that Michelangelo was once asked about the price of his paintings. His response revealed that it encompasses not only his instantaneous act of painting, but also his decades of experience.
“However, we often hear unfounded comments regarding the immediate reaction of artists to contemporary events. A rapid response is the result of deep concerns and reflections that have developed over the years, and appears in the right moment. In many cases, our poets presented their best work with such a rapid response,” he added.
“Another important point is that none of the poems in this book are commissioned, which is very noteworthy,” he emphasized.
“This fact is very beneficial for cultural managers, despite the large costs and commissioned works, often lacking high-quality production.”
“We must explore the relationship between Said Hassan and the axis of resistance with the poet, which led to the creation of such quality, moving and truly enduring poetic works in literary history,” he said.
Another poet, Ali Devaudi, commented on the constant height of the poetry, especially in the wake of important events regarding martyrs of this era, including Said Hassan Nasrara.
“The “Sacred Dahie” is a lasting evidence of the efforts of the literary community and is engraved in the literary chronicles. The literary community is the conscience of the arts and is forever at the forefront,” he said.
The programme is based on poets Mohamad Sayed Mirzai, Mustafa Mohadeshi Horasani, Iman Tofev, Samane Karafzadeh, Mohammad Medi Abdulhahi, Kazem Rostami, Kazem Rostami, Mohammadreza Tahammasebi, Majnan, Mahmadreza Tahammasebi, Majnan, Mahmadreza Tahammasebi, Mahminan, Mahmadreza Tahammasebi, Mahminan, Malekpour, who reads their poems from “Sacred Dahieh”.
Said Hassan Nasrara, the terrifying Arab leader in West Asia, had an indelible impact on modern Lebanon, Arab-Israel conflicts and the wider regions. He was tragically killed at the age of 64 in a series of Israeli airstrikes held in southern Beirut on September 27th.
Under Nasrala’s leadership, meaning “death victory,” Hezbollah evolved from a grassroots armed movement to the largest political party in Lebanon’s recent history. Famous for his fascinating speech, Nasrala gained attention in West Asia and beyond, establishing himself as a key figure within the axis of resistance, including Hezbollah, Palestinian groups, Hamas and Islamic jihad, the Hooti movement in Yemen, and various Iraqi Paranthrai factions.
sab/